“Lick the Sherbet Sky: Reflections of a Writer’s Residency” by Robert Gwaltney

“You are overweight,” Tonya, the Delta Airlines desk attendant tells me. “It’ll be an additional two hundred dollars.” Judgement seeps from Tonya’s guinea hen eyes, slips from the corners of her mouth in spittle. How dare you, I think to myself, looking down at Miss Audrey Hepburn, my suitcase. (I call my suitcase Miss Audrey […]

Jason Kingry Interviews Jonathan Haupt, Co-editor of “Our Prince of Scribes”

JK: I am grateful for the opportunity to interview you about Our Prince of Scribes, which has already won more awards than there are fingers on my hands. Congratulations on your success. The literary community has benefited from the peer-to-peer mentoring that came out of this book and the inspiration it has generated. I imagine […]

Allen Mendenhall Interviews Katherine Clark, Author of The Harvard Bride and The Ex-Suicide

AM:  I’m only now reading The Harvard Bride, which I somehow missed upon its release, and now we’re on the verge of the publication of The Ex-Suicide.  I’d like to talk to you about both books. KC: Don’t forget The Headmaster’s Darlings and All the Governor’s Men, the first two novels in the Mountain Brook […]

“Turning the page: Same South, new voice?” essay by Lauren K. Denton

Essay by Lauren K. Denton Writers come from everywhere, yet it seems the South produces them at a higher rate than usual. Here, we tell stories—those we make up and others that have been passed down through generations. Maybe it’s easier—or more necessary—to tell stories down South, to put fictional lives on paper to make […]

“The Cigar Factory: A Novel of Charleston,” by Michele Moore

Reviewed by Daniel James Sundahl I recall my first visit to Charleston a year or so after Hurricane Hugo.  Driving south to north along the coastal roads, I made side trips into the South Carolina Low Country where I found isolation and the remnants of the Gullah people.  I had been unbeknownst driving along and […]

“Jacob Jump,” by Eric Morris

Reviewed by Daniel James Sundahl Pat Conroy prefaces Eric Morris’s first novel by placing him in a pantheon of southern writers whose theme is darkness: Cormac McCarthy, Ron Rush, and Flannery O’Connor. One could be “tripped up” by arguing such. It’s equally likely that Morris’s first novel could be placed in a larger context: any […]