“Baptizing the Cat,” by Roberta George

Reviewed by Niles Reddick

Baptizing the Cat by Roberta George is a psychological and realistic novel set in St. Petersburg, Florida in a beach front condo complex and told through the warped perspective of Phillip Craine, a mediocre artist who lives off the monthly stipend from his in-laws’ candy company money.  A dysfunctional family portrait develops from the cast of characters: Phillip’s wife, Susan; two daughters; and their nanny and cook Nursey.

Phillip is mostly gone, either at his studio painting stereotypical seascapes, at Archie’s bar knocking back hard liquor, or at the gallery flirting with owner Belle. His marriage is pathetic, and he sees his wife as a washed-up jellyfish, bloated and heaving for air.

His parental role, too, is secondary to his egotistical whims and becomes even more back-seat when he sees neighbor Catherine on the beach. He imagines himself a CIA agent and purchases surveillance equipment to spy on her. His enchantment becomes obsession and they finally meet and have a brief affair.  Phillip even plans to kill his wife Susan to be with Catherine, but Baptizing the Cat takes an unexpected twist.

Catherine washes up on shore, having been shot and dumped in the sea by missing killers hired by her ex-husband and real estate magnate. Phillip does not come clean about the affair or show much remorse, but instead slinks around like a cat, hiding behind his artistic persona. Fifteen thousand husbands a year attempt to kill their wives, so in this respect Baptizing the Cat is a realistic portrait of life from the husband’s point of view.  It might just keep readers wondering what their spouses are thinking.

Roberta George is founding editor of Snake Nation Press, which was named one of the five Best Small Literary Presses in the nation by Writer’s Digest. She is the author of a collection Below the Gnat Line and the non-fiction book Ordinary Magic. She lives in Valdosta, Georgia.


  1. janice daugharty says

    What a fine review of this complex novel by Roberta George. I read it earlier this summer and could hardly bear to put it down. It beckoned me, and sometimes still does. As as author myself, I can honestly say I don’t know how George put such a layered, multifaceted novel together. Of course, that’s the best kind–the ones you cannot figure how they were written. I also need to comment on the language–no, you won’t need a dictionary while reading this novel, but you will have to pause to think about why she picked this word or that in a description–fresh and exact. Thank you, Niles Reddick for this thorough, well-written review. Always look for your reviews.

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