April Read of the Month: “Sewing Holes,” by Darlyn Finch Kuhn

Reviewed by Donna Meredith Like many Southern novels, Sewing Holes explores a somewhat dysfunctional family facing challenges and loss. Yet Darlyn Finch Kuhn’s refreshing approach to this material results in a novel more heartwarming than tragic, more uplifting than gloomy. Narrator Tupelo Honey Lee is known by her middle name—for obvious reasons. Set in 1975 […]

“A Late Encounter With the Civil War,” by Michael Kreyling

Reviewed by Allen Mendenhall Now that it’s 2015, the sesquicentennial of the Civil War has come to a close. Those who don’t follow such anniversaries may not have noticed it was ever here, but it was, although without the fanfare or nostalgia that marked the commemorations at the semi-centennial and the centennial. Michael Kreyling, a […]

“Dollbaby,” by Laura Lane McNeal

Reviewed by Donna Meredith Dollbaby, Laura Lane McNeal’s debut novel, is a Southern gothic tale with the requisite decaying mansion, locked rooms, long-held secrets, and a sometimes eccentric, sometimes just plain crazy owner named Fannie. Almost-twelve-year-old Ibby Bell finds herself deposited at the door of her grandmother Fannie’s “Queen Anne monstrosity” in New Orleans after […]

“The Land Breakers,” by John Ehle

Reviewed by Donna Meredith John Ehle’s The Land Breakers transports readers to the mountains of North Carolina in 1779, when settlers first breach the virgin forests and wrestle a primitive life from the land. More completely and accurately than any other author, Ehle conveys the struggle involved in settling this rugged territory by immersing us […]

“Fire Shut Up In My Bones,” by Charles Blow

Reviewed by Norwood Holland Fire Shut Up In My Bones is Charles Blow’s memoir about growing up a black male in the American South; it depicts a spectrum of rural-life experiences in which coming-of-age involves leaving behind a secret past. On a mural-sized canvas with deft brush strokes, Blow’s memoir paints a picture of complicated […]

March Read of the Month: “A Cuban in Mayberry,” by Gustavo Pérez Firmat

Reviewed by Miles Smith IV When Gustavo Pérez Firmat told a fellow Cubano he planned to write a work on The Andy Griffith Show, his friend lamented that this was an americanada project, meaning that it was typically Anglo-American and beneath a cultured Cubano scholar. Firmat’s project became more than a simple exploration of mid-twentieth […]